2008

June/July
Polkadotsonraindrops are collaborating with ELBA (East London Business Alliance) on a photography project in six east London schools. The results will be exhibited on billboards around the city later this year. The project is sponsored by Reuters.

This was Forever screened at the LIFT festival in Stratford with a discussion hosted by director Roger Graef.

Bookings are now being taken for another short doc making course at Central St Martins from 7 – 18 July – this time in association with the National Gallery, the course offers an opportunity to make films inspired by paintings in the gallery’s collection. Students will visit the gallery and view paintings by Titian to Toulouse-Lautrec. With the assistance of gallery advisors and an experienced film maker, the paintings will literally come to life as films and sequences are developed on the course. Please contact http://courses.csm.arts.ac.uk/summer for more details and bookings.

Polkadots director Mark Aitken is participating at the Avant Garde festival in north Germany on July 6th with a new film called Chevaline. The film will be presented as a 'live edit' with musicians playing a live soundtrack.

April/May
On April 2nd, the 30 min doc directed by Mark Aitken, Until when you die, screened in competition at the Crossroads of Europe festival in Lublin, east Poland. The film also screened at the Seoul Independent Documentary Film & Video Festival in Korea on the 29th March and the 2nd April.

Other screenings of polkadots films included This was Forever from the Films from the River Lee series at the East End Film Festival as part of the EAST END TRUE-LIFE STORIES programme at the Stratford Picture House, London, Saturday April 19 – 6.30pm.

February/March
Following the successful completion of the Films from the River Lee, we’re embarking on another series of four documentaries with young people from Waterloo connected with the Blackfriars Settlement. Pending funding, these should go into production this summer.

Director Mark Aitken ran another 2 week polkadots Documentary Course at Central St Martins in London. Five students hade five short films about Brick Lane over 8 days. Check the movies section for examples of the work produced. We ran a very successful course last year – making 8 films about Berwick St Market in Soho.

Polkadots founder Mark Aitken hosted a film show on Resonance 104.4 FM on Fridays at 5pm. Rather than the same old review format, the show actually conjures up film soundtracks live in the studio - inspired by soundtracks sent in by contributors.

January
On Wednesday 9th Jan, one of the Films from the River Lee, Mudlarking, screened at the Roxy Cinema, Borough High St, London as part of the London Short Film Festival.

Director Emir Kusturica is starting the MOKRA GORA FILM FESTIVAL in Serbia between 14 – 18th Jan. They screened all four of the polkadots River Lee films.

News Archive
Nov/Dec
On December 17th at the Rich Mix Cinema in Bethnal Green, London, we screened the four films from the River Lee for the first time. These were funded by First Light, Leaside Regeneration and Tower Hamlets.

Polkadots director, Mark Aitken attended the IDFA Academy at the doc festival in Amsterdam. The Greek Parliament TV Channel picked up Mark’s documentary about Vietnamese refugees, Until when you die for broadcast. Plans were also initiated for a film to be made with young refugees about digital communications and how it affects their lives.

Work also started on the Taxi film (working title) about the factory in Coventry that makes the London black taxi. We’re hoping to initiate our first on-line self-distributed film once it’s completed.

September - October
A special one-off screening of This was Forever with a live soundtrack performed by Amal Gamal took place at Elefest in London on the 23rd September. Over the past year, polkadotsonraindrops have produced the film in tribute to the plot-holders at the now demolished Manor Garden allotments.
Polkadotsonraindrops also facilitated a two-week documentary course with Central St Martins in London. We produced a eight short films about Soho’s Berwick Street market.

July - August
Our collaboration with Creative Partnerships completed its first phase at the end of June with six schools in west London. The multi-media project was about connecting kids with different heritages from around the world through storytelling called, Our Memories, Our Stories, Ourselves. The objective was to engage families more with schools. The first phase was completed with a multi-media piece with seventy children on stage. This project is due to run until next spring and will engage film making, interactive web-sites and more theatre work.

Work continued on the four River Lea Documentaries with three in post-production and another about to go into production. The rough edits are coming together and it’s already apparent that we will have some beautiful and eloquent films to present.

Director Mark Aitken facilitated a scriptwriting course with the Arvon Foundation in Yorkshire. Sixteen adults wrote, used still and movie cameras and editing software to complete a range of creative exercises. David Pirie was the co-tutor.

Upcoming courses were a two-week documentary film making course with Central St Martins in London in September.

Director Mark Aitken presented films at the Avantgarde Festival in Germany at the end of July.

June - July
Until when you die was screened twice at the Mosaiques film festival in London on May 13th at the Ritzy, Brixton and on May 20th at the Lumiere in Kensington.

Leading up to the summer holidays, productions with schools are in a very busy phase. Work continued on the four River Lea Documentaries with two in post-production and another about to go into production with Swanlea school in east London. The rough edits are coming together and it’s already apparent that we will have some beautiful and eloquent films to present.

Our collaboration with Creative Partnerships started with six schools in west London. The multi-media project is about connecting kids with different heritages from around the world through storytelling called Our Memories, Our Stories, Ourselves. The objective is to engage families more with schools. The first phase will be completed at the end of June by establishing a radio station and presenting a performance piece at the Lyric Hammersmith. This project is due to run until next spring and will engage film making, interactive web-sites and more theatre work.

March - April
The first two (of four) River Lea Documentaries funded by First Light and Leaside Regeneration went into production in March and April. One is about Manor Gardens Allotments – a site next to the River Lea in east London that’s being threatened with demolition by the Olympics development. The other is in collaboration with Swanlea School and the Ragged School Museum.

Polkadots Director, Mark Aitken was selected for the Berlinale Talent Campus – part of the Berlinale Film Festival. The feature documentary, Tell Me. The Story of El Negro was developed further and is now seeking co-production partners in France, Spain and South Africa.

Our first collaboration with Creative Partnerships is starting with six schools in west London. The multi-media project is about connecting kids with different heritages from around the world through storytelling. This project is due to run until next spring and will engage film making, setting up a radio station, interactive web-sites and theatre work.

Cinexchange, the project in collaboration with the French Institute in London resulted in six films being screened in Lille, France. The films were made to the same templates by six schools in Britain, France and Belgium. Rules and boundaries were established by the students themselves.

Polkadots films continue to gain exposure around the world. Until when you die was the centre piece screening at the True/False Festival in Colombia, Missouri, USA on the 4th March as well as at Oxdox in Oxford. Three of the 1 minute films from the Long Way Home series made by young people from Derbyshire last summer were selected for the Videotivoli Festival in Tampere, Finland.

Five of our films were picked up for broadcast on Propeller TV: Until when you die, As above, so below, Resonance FM, Talking about us and Where is Morton Valence? Propeller is the national channel for new film and television talent available on SKY all over Europe.

And finally, Zubia Masood from Hi-8tus South has joined us as a producer – starting work on the River Lea docs.

January - February
With the support of UK Film Council funded First Light, we’ve been commissioned to make four documentaries about the Lea River in east London in 2007. The films have been developed with schools and youth groups over 2006 and will be made by young people (under 18yrs) who live in east London.

The total budget for the project is £33k and the films will be offered a multi platform release in cinemas, festivals and online. The Lea River is rich with past history and present change. Waves of immigration, child labour, the slave trade, the Port of London and industrial wastelands leading to the 2012 Olympics are all part of the Lea River narrative. The young people devising these documentaries will explore their heritage and invent their futures through the film making process. The films will document the past and present while being infused with hopes and fears about massive change currently taking place. This is our biggest commission since the company was founded four years ago and continues successful collaborations with First Light.

2006
Blind Man’s Bluff, funded by First Light was nominated for a best screenplay award at the annual First Light Awards in London in February. We didn’t win but these people had something to say….Neil Jordan, Director/Writer: ‘Photography and acting were both very good.’ Amma Asante, Director/Writer: ‘Good twist, nice dialogue throughout also. Cleverly reaches its climax in real time.’ Gurinder Chadha, Director: ‘This film was very good, a tough decision.’

As Above, So Below and Resonance FM were screened at the Videotivoli Children’s Film Festival in Tampere, Finland and the Radio Zero festival in Portugal.
This Place – our fourth film commissioned by First Light was screened at the National Film Theatre in London in April. The short is a science fiction taking the Chris Marker film La Jettee as its inspiration and using the American neon light artist Dan Flavin as a visual reference.

As Above So Below won two awards at the Showcomotion Young People's Film Festival in July. We also worked with Film Education on INSET work for screenwriting with a group of teachers in London. Again, emphasis was placed on creative discipline and participants setting their own boundaries to work by.

In August we were invited to run a residential in Derbyshire with young people leaving care. Some of these people had worked with us on the Arvon residential in 2005. In two and a half days we produced eight one minute films. These were presented at Tate Britain in October.

We continued to collaborate with the Film & Video Workshop in London on courses for adults on scriptwriting and camerawork. We also started workshop screenings of polkadots films with young film makers talking about their work process. The first event happened in partnership with the Script Factory and the London Film Festival. Other courses on working with actors were run at Goldsmiths University on the MA Film making course and under-graduate course.

Another round of short film productions with Cinexchange, Film Education and the French Institute was launched. The cultural cinema exchange between schools in France, Belgium and Britain will bear fruit with new films in 2007. Award winning As Above So Below was screened at the Clerkenwell Literary Festival in October.
Never Give Up, a one minute film by Elliott Fraser produced during the Derbyshire residential was selected to screen at the London Children's Film Festival in London.

Polkadotsonraindrops director Mark Aitken and producer Rani Khanna were invited to pitch our feature length documentary, Tell Me: The story of El Negro at the Sheffield Documentary Festival in early November. The pitch was to UK broadcasters for production funds.

Until when you die was nominated for the Silver Cub Award at the International Documentary Festival Amsterdam in November. IDFA is the biggest documentary festival in the world so we couldn’t hope for a better platform. The half hour documentary is about Vietnamese Refugees arriving in the UK during the late seventies. We combined oral history testimonials with contemporary footage from four countries and in doing so, established a meditation on memory and history. This project was funded jointly by community and lottery sources and established a new platform for financing documentaries for us. We competed internationally at IDFA with a truly independent film.

2005
We shot our third film for First Light, Blind Man’s Bluff over one day on a Dockland’s Light Railway train at the start of the year. The film was written and directed by Damien Bent (The Blox, Ghostship on the Southbank).

Our first school residency took place at Windsor Boys School between January and March. We produced a series of short dramas, experimental work and animation that was presented at the local arts centre. At times challenging, grueling but eventually rewarding, we also completed a two-week residency at Rochester Prison, working with young offenders on animation films.

In May we worked with Spread the Word again and devised a radio show entitled The Fall of London with a group of young people in London. The 90min show was transmitted live on Resonance FM.

Reviving our links with Bow in east London, we produced a 20 min film with young people about health and fitness. The film was funded by Leaside Regeneration and Old Ford Housing Association. Work continued on the Until when you die documentary and we raised funding to take a Vietnamese woman living in London back to Vietnam and China after 28 years.

Three more docs were made with young people that summer. Where is Morton Valence? And As above, so below and Resonance FM all contributed to the growing body of polkadots productions. We also worked with BBC Blast on a comedy sketch called The Park with young people in west London. The film went out on BBC2 at the end of the year.

The French Institute and Film Education invited us to contribute to Cinexchange – a language, cultural and cinema exchange where four schools in Britain, France and Belgium made short films to the same creative template.

Our first scriptwriting residential at the Hurst – an Arvon Foundation centre – took place over two weeks in December. The first week involved making films with young people leaving the care system, which resulted in Albert’s View and Emily’s Fantasy. On the second week we worked with adults interested in scriptwriting. Both weeks used the same work templates for devising and developing ideas through writing, photography, sound recording and filming. Groups also set boundaries and limitations for each other when making films. Some films were only allowed one character or one location while others weren’t allowed dialogue or could only use non-sync sound. The idea of participants making their own rules established a new form of creative discipline to work by.

2004
The year began by collaborating with the Film & Video Workshop in north London on a series of short film productions with adults. We also worked with young and older people in Bow on a film about the history of a housing estate called R Enz. The film was commissioned by Chisenhale Art Gallery and funded by Old Ford Housing Association. This was our first foray into oral history with the use of testimonials and documentary. Private courses for adults on weekends at the Electric Cinema in west London were also successfully introduced.

Taking the work environment into consideration, we collaborated with Skyros Holidays in Greece on our first residential courses. Two five day courses were run with adults and the beauty and culture of the island led to uninhibited creativity and inspiration. The Lambeth Crime Prevention Trust also commissioned us to make a documentary film about the Vietnamese Refugee community in south London. Along with funding from the lottery and other community grants amounting to £20k, the process of research and production of Until when you die began. Testimonials from refugees were recorded about the journeys made to the UK from Vietnam in the late ‘70’s.

Other productions that year included the first Get Reel documentaries for the London Development Agency called Prisoners Abroad about British citizens held in prisons abroad and one about the Time Out news desk. A commission from the Hayward Gallery and First Light produced Ghostship on the Southbank. The crew included Damien Bent from the Blox and the Super 8mm film was part of an exhibition about early cinema at the Hayward.

2003
polkadotsonraindrops was founded in 2003. The name was designed to imply a sense of visual playfulness and a marriage of the artificial and organic; film and what is being filmed. Mark Aitken designed a series of courses that focused on the separate components of film making. Finding an entry point into film making can be difficult but finding a sound for a picture or a frame for a shot is a lot easier.

These courses were designed to explore film making as if walking in the dark without having to worry about bumping into anything. Technology played a part in these courses and with a DV camera, laptop, mini-disc recorder and Final Cut Pro, making films had never been more accessible. Pilot courses were tested on film makers, teachers, artists and writers. The overall ambition was to establish an educational context as the most productive and interesting environment to make films in.

2003 also saw the first polkadotsonraindrops films being produced. The Blox with Southwark Youth Services, written and directed by Damien Bent; O Dia De Santa Martina with Lambeth Arts, First Light and the Lambeth Portuguese community and Talking About Us with the London Film Festival and London youth groups about citizenship. A photography and storytelling course with Spread the Word and Lillian Baylis school was also completed.

The company also received lottery and community funding to acquire two laptops, and a full digital production kit.

2002
While completing post production on the independent feature, Same Same But Different, writer, producer, director, Mark Aitken formed a new approach to film education. Making an independent feature film had taken three years: writing the script, raising finance, casting, production, post production and distribution. The experience was an intensive learning curve but unforgiving in the sense that being spontaneous and creative on a feature film production is an all too rare commodity. Discovery through the work process is difficult when you have a crew of thirty people watching you on location in the freezing cold. Having worked in film education and film making since 1990, Mark realized that a new way of working was required if making films was going to be a creative experience.